Tova Shaaryashuv paints the gedolim in oils, and these prints carry that across to the sukkah wall — the faces, the depth and the brushwork of the originals, reproduced on weatherproof vinyl with grommets so they can hang outdoors for the week without coming to any harm.
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Prints. Each one reproduces an original hand-painted oil portrait by Tova Shaaryashuv on outdoor-grade vinyl, which is what makes it practical to hang in a sukkah — an original oil painting is not something to leave on a wall exposed to a week of weather.
Through the metal grommets at the corners, tied or hooked to the sukkah frame. Hang them at eye level on the wall the table faces, where people will actually look at them, and secure all four corners so the print stays flat rather than curling in the wind.
These are printed with outdoor-grade inks on weatherproof vinyl, so rain and a week of sunlight will not fade or run them. As with any print, the enemy is long-term storage in a damp place — roll them dry and keep them somewhere the winter cannot reach them.
Most families give them the main wall, at eye level from the table. It is worth thinking about placement rather than filling a gap with them — these are the pictures guests will look at during the meal, and children will ask about every one of them.
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